Rückblick: Chrosziel @ Cine Gear Expo 2019

The Studios at Paramount, Hollywood, CA

Gewinner Cine Gear 2019 Technical Award – Kategorie Other Technology

Chrosziel Lens Test Projector P-TP7

Gewinner Cine Gear 2019 Technical Award – Kategorie Camera Technology: Accessories

Qinematiq Smart Ranger 2 powered by Chrosziel

Chrosziel Stand L401

Heimat der Lens Projection Master Class

Das Team (von links nach rechts):
Chrosziel Sales Manager Marc Permien, Chrosziel Chief Officer Product, Marketing and Sales Timm Stemann und Chrosziel Ambassador Ryan Forte

Lens Projection Master Class 2019

wurde unterstützt von

Freitag, den 31. Mai 2019

Stand L401

UhrzeitThema / ThemanOptikenRedner
12:30pm to 01:00pm
Sigma Cine Logo
SIGMA CINE – Made in Aizu with a Focus on High Speed Full Frame Digital CinematographySigma Cine 14mm T2 FF,
Sigma Cine 35mm T1.5 FF,
Sigma Cine 40mm T1.5 FF,
Sigma Cine 105mm T1.5 FF
Eric Hall,
Service Manager, SIGMA Burbank

Takuma Wakamatsu,
Product Manager of cine lenses, SIGMA Japan

01:15pm to 01:45pm
Arri Logo
ARRI – Organic images filled with life and emotionARRI Sigature / Master Prime lensesThorsten Meywald,
Product Manager Optical System, ARRI Headquarter Germany
02:00pm to 02:30pm
P und S Technik Logo
P+S TECHNIK – Optics for exceptional images, Hands on Projection with TECHNOVISION Classic 1.5X, Evolution 2X and Rehoused classicsTechovision Classic 1.5X 40-70mm,
Evolution 2X 32mm,
Canon FD Rehoused
Gerhard Baier,
Business Development Manager, P+S TECHNIK
04:30pm to 05:00pm
Duclos Lenses Logo
CHROSZIEL powered by DUCLOS LENSES – Old „character“ lenses vs. „modern“ corrected lensesVarious manufacturers
25mm Master Prime T1.3
25mm Super Baltar T2.3 – TLS
25mm Cooke Speed Panchro T2.2 TLS 75mm Kowa Anamorphic – CCI T2.8
Matthew Duclos,
Lens Tech, DUCLOS LENSES
05:30pm to 06:00pm
Fujifilm Fujinon Logo
FUJINON powered by DUCLOS LENSES – Presenting Premista ProjectedFujinon Premista 28-100mmMatthew Duclos,
Lens Tech, DUCLOS LENSES
06:15pm to 06:45pm
Zeiss Logo
ZEISS powered by OTTO NEMENZ – Setting up lenses for a rental environment: How to shim and balance lenses, how to deal with various low-pass filters, how to manage metadata communicationZeiss Supreme Primes,
Zeiss Compact Prime CP.3
Dan Lopez,
Head of Lens Service/Repair Department, OTTO NEMENZ
07:00pm to 07:30pm
Sigma Cine Logo
CHROSZIEL powered by OTTO NEMENZ – Prime lenses: latest developments Various manufacturersDan Lopez,
Head of Lens Service/Repair Department, OTTO NEMENZ

Samstag, 1. Juni 2019

Stand L401

UhrzeitThema / ThemenOptikenRedner
11:45am to 12.15pm
Sigma Cine Logo
SIGMA CINE – Made in Aizu with a Focus on High Speed Full Frame Digital CinematographySigma Cine 14mm T2 FF
Sigma Cine 35mm T1.5 FF
Sigma Cine 40mm T1.5 FF
Sigma Cine 105mm T1.5 FF
Eric Hall,
Service Manager, SIGMA Burbank

Takuma Wakamatsu,
Product Manager of cine lenses, SIGMA Japan

12:30pm to 01:00pm
Arri Logo
ARRI – Organic images filled with life and emotionARRI Signature / Master Prime lensesThorsten Meywald,
Product Manager Optical System, ARRI Headquarter Germany
01:15pm to 01:45pm#
P und S Technik Logo
P+S TECHNIK – Optics for exceptional images, Hands on Projection with TECHNOVISION Classic 1.5X, Evolution 2X and Rehoused classicsTechnovision Classic 1.5X 40-70mm,
Evolution 2X 32mm,
Canon FD Rehoused
Gerhard Baier,
Business Development Manager, P+S TECHNIK
02:00pm to 02:30pm
Fujinon Fujifilm Logo
FUJINON powered by ABELCINE – Presented Premista ProjectedFujinon Premista 28-100 mmCasey Ehalt,
Lens Tech, ABELCINE
02:45pm to 03:15pm
AbelCine Logo
CHROSZIEL powered by ABELCINE – Zooms with full frame coverageVarious manufacturers
Fujinon Premista 28-100 mm
Casey Ehalt,
Lens Tech, ABELCINE
03:30pm to 04.00pm
Angenieux Logo
ANGÉNIEUX – The difference between spherical and anamorphic lookAngénieux 45-120 mm Optimo,
Angénieux 56-152 mm Optimo Anamorphic
Jean-Marc Bouchut,
Technical Support Director, ANGÉNIEUX Americas
04:15pm to 04:45pm
Angenieux Logo
CHROSZIEL powered by KESLOW CAMERA – Old „character“ lenses vs. „modern“ corrected lensesVarious manufacturers
25mm Master Prime T1.3
25mm Super Baltar T2.3 – TLS
25mm Cooke Speed Panchro T2.2 TLS 75mm Kowa Anamorphic – CCI T2.8
Brad Wilson,
VP Business Development, KESLOW CAMERA

Chad Martin,
Camera Service Manager, KESLOW CAMERA

Ehrengast:

Chrosziel Ambassador Ryan Forte

Tipps und Tricks mit Sony FS7 Setup & MagNum FIZ LCS

Ryan Forte, im US-amerikanischen Cleveland (Ohio) beheimatet, ist Cinematographer und gehört als Kameraassistent der ICG Local 600 an. Er arbeitet schwerpunktmäßig in der Werbe- und Erzählfilmbranche. Besondere Highlights seines Schaffens als Fokus Puller waren überregionale Werbefilmproduktionen für Unternehmen wie Schick, Kay Jewelers und McDonald’s. Zwar ist Ryan Forte Filmemacher durch und durch, doch wirkt er auch gerne bei der Herstellung von Kurz- und Independent-Filmen mit. Er ist Experte für stabilisierte Kamerasysteme. Seine bevorzugten Arbeitsgeräte sind Freefly Systems Movi Pro und Movi XL. Dank seines fundierten Hintergrunds als Kameraassistent von Steadicam-Operatoren besitzt Ryan ein ausgeprägtes Gespür dafür, wie Gimbals so eingesetzt werden können, dass der gewisse „Cinematic Look“ entsteht.

ARRI Open House

Neueröffnung des neuen HQ in Burbank

Cine Beer bei Hot Rod Camera

Chrosziel unterwegs