Latest lens developments from Angénieux, ARRI, Fujinon, P+S Technik, Sigma, and Zeiss – supported also by experts from AbelCine, Duclos Lenses, Keslow Lenses, and Otto Nemenz.
To shoot highly dynamic sport sequences gimbals are the name of the game.
While using this highly mobile system, weight is of crucial importance.
Run and gun camera operators need a multifunctional setup.
Lucky, who has a zoom lens and servo drive that cover nearly every situation…
First test of the servo motor CDM-MK-Z for Fujinon MK lenses by Salisbury, Wiltshire UK based Lighting Cameraman & Steadicam Operator John E Fry BA (hons) from Fryfilm Productions Ltd.
Chrosziel product specialist Timm Stemann visited Uli Mors in Dortmund to develop and test zoom curves for the Fujinon MK zoom motorization.
A short glance at Jeeper Screepers part 3. DP Ari Golan reports why he used the Chrosziel CDM-100M digital motor with Freefly Movi Pro on set.
Since 1996 Alain Jongen has his Chrosziel Mattebox still in use. In the article, he tells us more about his daily companion.
During the shoot of the film ‘Girl on Ice’ in Murmansk Chrosziel LCS units were confronted by inhospitable environments. Here are the results.
The producers of the trailblazing movie “Billy Lynn’s Long Halftime Walk” used Chrosziel to make the story happen in native 3D and 4K resolution at 120fps.
Schneider-Kreuznach developed film lenses that can focus and tilt. In their test, they proved that just one Chrosziel MagNum wireless FIZ supports both.